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The creative elite had been holidaying or living there since the mid-nineteenth century and by the beginning of the next century it had become a relative safe-haven for the gay and lesbian community
each imbued with that vein that seemed to run through all the New Glasgow Boys’ painted figures in the 1990s
As a Monmouthshire boy I’m disappointed only to crowbar one Welsh painter into the show but David is a fine ambassador for our shared culture
My starting point for this painting was a sketch I made from a rather coy image from a Greek vase
standing atop a vintage tool box
Downstream Past Albert Bridge II sold The creative elite had beenThis painting is currently not in the gallery but we can easily access it. Just let us know if you would like to view it.
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